Comedy in Crisis

Horrible Bosses (2011) by Seth Gordon

Bridesmaids (2011) by Paul Feig

Maybe it’s just me but I hate comedies of late. Simply, because I don’t think they are especially funny. Most of the time, I have enough after the trailer and don’t wanna see more because I did not laugh at anything in the trailer – and we all know they pick the funniest scenes for the trailer (I am going to stop writing trailer now). So, these last few years I have watched a lot of horror movies because they make the better comedies.

For some inexplicable reason, I have become obsessed with Jennifer Aniston lately (I don’t know why but it is not necessarily out of the ordinary since I get obsessed with actresses sometimes and get over them… it’s not usually somebody that has been around for so long, though, and I never liked Friends and always liked Courtney Cox much better, so, that is the surprising part…) and this is why I wasn’t too disappointed when my favorite movie theater showed Horrible Bosses in the sneak peek last night. Let’s face it, I wouldn’t have watched it if it hadn’t been for the sneak peek but I have thought about it – simply for the sake of Jennifer Aniston.

And it is not not funny. It has it’s moments, definately. But it also has a lot of this-is-so-not-funny-why-is-everybody-else-laughing-moments. Because sometimes people laugh because they know they are supposed to laugh despite not finding something funny. For example, there is this scene where two of the main guys argue about who would get raped more in prison – each wanting to be the one who gets raped more… This is not funny at all. Seriously, makes one (that is me) wonder if men are not being raped enough (which I wrote for provocation’s sake not because I believe it). But I laughed along with everybody else before I stopped myself, looked around, shook my head (at myself). I said it is an example, and it really is an example for the kind of jokes that we are presented with in comedies these days… there were also some gay quibs that I could have done without, as every buddy movie has to have those.

In my opinion, there is something wrong with comedies – maybe not even lately but for some time now. They are either romantic (straight) comedies I have absolutely no interest in because, well, they are heteronormative and all the same, or they are, I don’t know what to call it, maybe adult comedies with an annoyingly great amount of jokes about excrements, body fluids, and dicks.

No wonder, I haven’t watched comedies in so long…

The sad part is, I love comedies. My favorite movie of all times is a comedy (The Philadelphia Story, 1940). The 30s and 40s produced witty comedies, they were sexy in a way, you would almost call innocent today. Romantic comedies of today try to immitate that style but it is more often smothered by the “love story.” I want to blame There’s Something About Mary for this – as I see it – crisis in comedy. It may not have been the first that had me completely grossed out but it was probably one of the most successful. I mean, yuck!

I really wish that I could say that Bridesmaids which I have watched on Tuesday and deliberately was an example of a more intelligent form of humor. It wasn’t. I liked it, yes, but I have felt a kind of desolation, a discontentment with it after I left the movie theater. It has a great cast and some great messages, yes, but it has also some really disgusting barfing and such… I wonder, do you really appreciate that in a comedy? Really? Well, I don’t. And as I said, maybe it is just me. There were parts of both movies, Bridesmaids and Horrible Bosses, that I liked but overall I left the movie theater wanting to punch someone in the face – and I am a friggin’ pacifist, y’all!

I am aware that not all movies that are funny have the sort of excrement humor in it that I hate – but those that are called comedies usually have. Or they are the other kind that I hate, romantic comedies – I don’t know which are worse.

So, where does that leave me and my love for comedies? Nowhere, I am afraid. As by today, I will again ignore everything that is supposed to a “comedy” and will once again concentrate on horror movies. And I will probably get some more 30s and 40s comedies – screwball and sophisticated alike. What else is a person to do to get her laughs on?

Advertisements

X-Men: First Class – a coming-out story

X-Men: First Class (2011) by Matthew Vaughn

It has probably the worst title addition ever (surprisingly enough the additional title of First Class and the German one, Erste Entscheidung, are equally silly, that is a first… usually the German title and addition are much worse than the English ones), but that is no reason not to watch it. I think in my life there is actually only one reason I would not watch a film for: if I don’t like any actor/acress in it. What can I say, I am a judgemental bitch (I actually would like to propose boycots on some actors but that would call for actual active and political engagement on my part and I am not that interested, really).

Luckily for me, you don’t need much background information. Since I had watched the first two movies and the Wolverine-movie, I had some of that which means, I remembered Patrick Stewart and Ian McKellen’s characters and that was enough preparation (for those, who hope for an in-depth comparison of comic and film or anything like it: sorry, haven’t read the comics, never will).

Well, it is not a new story: there are mutants, they are different, they are hiding but then the world needs them to prevent a nuclear war (same old, same old). After they have done that the former allies turn on the mutants because they are different. They want to destroy them but that backfires, because… hello!.. THEY ARE MUTANTS! So much for the plot.

Yeah, okay, I oversimplified because there are actually bad mutants and good mutants and there’s also another fight going on between them but, hey, I am a simple kinda… person. So, what with all that hiding and being discriminated against-stuff that is going on, people have suggested that X-Men is really a coming-out story. And, yeah, I mean, great metaphor and all. Do I believe that the mutants are actually all gay? No, but wouldn’t it be fun if they were? Also, I do believe that homos are more evolved than heteros (you just have to look at hetero couples on the street to know that)… we are the next step, people, no wonder everybody is freaking out. So, this part of the story hit home.

Am I being a little sarcastic, here? Yes, so put the stakes away again. I don’t think that any human being is particularly evolved. We are all f**ked up. But I do think that we should all have the same opportunities and rights – but that is just not happening, so it is nice to IMAGINE that we could be better than y’all folks…

And I do think that Emma Frost would be a wonderful addition to our team… Kevin Bacon, well, I love his wife but that’s another story. In all, there is not much to talk about. It is not extraordinary movie-making we are meeting here. I enjoyed the movie, yes, but it falls in line with other forgettable movies. In fact, I have already moved on from watching it last week and can hardly remember anything now. What I remember, is this: it looked good! I love the 60s look of the whole thing and that we get to experience on different continents and to different nationalities. Very nice. Yet, with the 60s looks comes the 60s sexism and no matter how evolved even mutants indulge in that one. Ouch!

Then, I remember the silliest one gesture that a character has accomplished since Picard:

And… Rose Byrne. I don’t even remember where I know her from but has she ever been this hot before?

Also, the German that was being spoken was without grammatical errors which is a rare occasion but everybody supposedly German had a thick accent of some kind… in their German. Just cast German actors next time, maybe?