Rented: Much Ado About Nothing

Much Ado About Nothing (2012) by Joss Whedon

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I’m not sure if I told you how I came to love Shakespeare. I had tried to read Macbeth at some point and labored through three pages of it before throwing it into the corner not to pick it or him up again for years. And then I watched Much Ado About Nothing – Branagh’s version – and fell in love.

muchado2It’s still my favorite movie version, it’s still one of my favorite plays, it’ll always have a special place in my heart. And I would probably not have endeavored to watch a different version if it hadn’t been for this addition to the title: A film by Joss Whedon.

And then, of course, there was the casting of Amy Acker as Beatrice. One of my favorite actresses playing one of my favorite Shakespearean characters? Count me in.

And now I’ve watched it. In fact, I’m at this moment watching it a second time in one day. Oh, my goodness, what a ball, a blast, a festival of wit and comedy and noir elements that make this movie not better than Branagh’s, but different and wonderful.

I must confess that I couldn’t imagine anyone playing Much Ado differently, in each and every scene I had a flashback to the ’92-version. But slowly the actors of the Whedon-verse acted themselves into my conscious and I couldn’t resist their charm. I’m fascinated, I’m stumped, I can’t stop watching. And how do you even begin to resist Amy Acker?

Let me tell you something about Acker – she’s genius. In every part I’ve ever seen her, she not only amyacker2convinced me, she awed me with her talent. I loved her as Doctor Saunders/Whiskey in Dollhouse, and I’m madly in love with Root in Person of Interest. She’s just so special in every role, she’s amazing.

But she’s not the only one in this brilliantly cast Whedon-family adaptation of Shakespeare. I never liked Alexis Denisof better than when he played Benedick, he’s earnest and smart and comical when he’s told that Beatrice loves him. Such an honest performance. I loved Fran Kranz in Dollhouse and I love him as Claudio. And then there’re Nathan Fillion as Dogberry and Tom Lenk as Verges and, hell, they’re the funniest thing – yes, funnier than Michael Keaton and Ben Elton even.

muchado4I guess, I have one thing to criticize, though. While I first thought it refreshing to see Riki Lindhome cast as Conrade, I feel that casting Conrade with a male actor in this version would have been even better. Making Don John (Sean Maher) a gay villain – not a caricatured man who is evil because he’s limited to his gayness, but just a villain who happens to be gay… That would have been even more interesting than having a Shakespeare character emasculated.

Apart from this, I simply love Whedon doing Shakespeare. But then, has there ever been a thing Joss Whedon has done that I didn’t love?

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Marvel’s The Avengers

Marvel’s The Avengers (2012) by Joss Whedon

It’s funny but I don’t know why I watched this. I didn’t want to, I actually wasn’t the least bit tempted after I saw the trailer. And then I stood infront of the movie theater yesterday and I could have watched Spiderman or W./E. but instead I watched The Avengers. I am still a little astounded by this turn of events… but, well, so I watched it.

I guess I had forgotten that it was directed and written by Joss Whedon but when I saw that it had been done by Whedon I was a little bit peeved. I mean, Whedon gave us one of the best female action tv heroes of the nineties, then he tried to give us fabulous shows like Firefly and Dollhouse and for no apparent reason failed… they were very good shows. And now he gives us The Avengers and my surprise is that it is mostly a make-no-prisoners-dick-flick. Sure, he tried to integrate The Female into this film but with all the phallic imagery (the same as when I wrote about Thor) and male heroes and male villains it kinda got… c**k-blocked.

What we saw of female hero-ship was mostly Scarlett Johansson looking verrry goood (men got over-the-shoulder-shots, Scarlett got full-ass-shots) in catsuit. The same could be said about what little we saw of Gwyneth Paltrow (those cut-offs, dayam!). There was only one female character who seemed almost too much of a character and that was Agent Hill (Colbie Smulders). And this is probably the difference between Whedon and any other director – he actually thinks female characters are important. Other than that, well, Captain America (Chris Evans) seems a little creepy, I never liked Mark Ruffalo, though his Banner was okay, I guees. Iron Man (Robert Downey Jr.) is still the coolest superhero Marvel has (I love Stark, and I love Downey playing him), and the Loki-guy (Tom Hiddleston) is so hilarious… he’s such a bad villain, and I mean bad not in evil but just plain bad, almost trashy, because he so isn’t evil enough but still he gets the upper hand sometimes – and he’s so pretty.

Mainly this movie is a pissing contest – hell, that lengthy fight between Iron Man and Thor (Chris Hemsworth)! See me still rolling my eyes as I think about it. When it was over, I actually asked the characters to rezip their pants, because really… really…

Don’t get me wrong, I didn’t detest it, it was entertainment. Some things were fun, others were totally geeky. But at the end of the day, this is not the kind of movie I want to watch anymore. And not because I think myself too old or too mature (or whatever) to geek out over an action movie – I am not above geekdom, at all – I am just not willing to pay 13 Euros to watch men being heroes and women being eyecandy. Given, the women in this film weren’t just eyecandy but they weren’t quite the heroes the men were… or maybe I just don’t get the whole world domination/war theme that sells us that there actually are heroes in something as pointless as war.

I know, I always promise myself: no more dick flicks, but then I end up seeing some anyways… I don’t know. I should have watched Madonna’s W./E...